A-vacationing We Go!

So I've been on vacation for the past couple of weeks. It's been draining to try to keep up with a good writing schedule while slamming down martini's in Chicago bars and shaking hands with Mickey Mouse in Orlando. Yet, during my travels, I made a fabulous observation -- about ten percent of the airport clientele were carrying their e-book device around with them, be it Kindle or iPad. So I started asking all about them. "Can you take them on the beach where it's bright and sunny?" "Can you see full-color illustrations if, say, I want to read my five year old a picture book?" "What if you accidentally drop it in the toilet?" (Hey, it could happen!) The responses were interesting and varied. A lot of people were telling me that they had just gotten their e-book device and were getting used to it. I understand editors and journalists can't live without it. But for the layperson, there's definitely a mental switch-over that needs to be made from holding a book with its chunky cover and crinkly pages and, let's face it, that awesome book smell to holding this cold, anesthetic, digital form. I get that one day children will laugh at the prospect of reading a paper book, but for right now, I want my kids to enjoy that sensory pleasure.

Still, intrigued by the whole digital publishing craze, I when I got home from being a jet-setter, I found this great article one of my friends in my critique group had sent me from The New Yorker, which shows the impact of e-books on the industry and compares iPad to Kindle. www.newyorker.com/reporting/2010/04/26/100426fa_fact_auletta Interesting stuff and certainly reminds me that when I'm 80, I'll be saying those oft-uttered words, "When I was young,..."

If you've got one of these e-book dealies, tell me what you think of it. I'd rather get my info from friends than from strangers in the airport anyway! Glad to be home!

H

And the Academy Award Goes To...

I don't think writers often think of themselves as thesbians. I certainly never related the two until I caught myself one day literally acting out a scene I was writing. I was speaking the lines outloud, making the same facial expressions and gestures as my characters, and at one point, crying just when my character needed that emotional release. So truth? In order to really feel what your characters feel, you have to put yourself in their places. You have to feel what they feel as you filter those feelings into the scenes you are writing. My husband and kids think I'm a lunatic for putting on my one-woman show every time I sit down to write. And maybe I do belong, at times, on the stage of an Improvisational Theater. But we do what we have to to get that depth of emotion and character into each piece. And who knows, maybe one day, I'll see all my theatrical efforts played out as one of my books-turned-movie up on the big screen ;)

Conferences? What's the Point?

Alright. So I confess that I'm a conference junkie. I go to as many as I can fit into my schedule and afford (yeah, that's me in the posted pic at a conference in Oregon). And it's not just because I get to stay in some really great hotels and eat out at some awesome restaurants. Don't get me wrong. The retreat part of it is great. But the reason I'm addicted is because of "the share." Now, I'm not big into human contact. I guess I'm just used to sitting in my study with only me, and occassionally my cat, and doing my writing thing on the computer. But once I do that, I need somewhere for that writing thing to go. That's where the share comes in. "The conference share" consists of:

• Soaking in super valuable info about the writing biz, including inside, covert stuff like what goes on behind an editor's office door or an agent's planning meeting.


• Meeting tons of people, writers struggling and wanting that contract as badly as me, many of whom I contact regularly about their writing progress or hook up with as a roommate for the next conference.


• Networking in a big way by shaking hands with big wigs in the field. And while I'm not the world's most outgoing individual, I feel awesome when I've pushed myself to put my face in front of an editor from a huge publishing house and have a conversation about the latest trends, what that house is looking for, or even whether my book is something they care to review.


• Sitting one-on-one with an agent or editor and listening to how they respond to your writing. This depends on the conference, but if you snag this, you're golden! Even if you don't get that contract, they know you, they'll hopefully remember you, and the feedback is invaluable.


• Getting your questions answered by the experts. Where else can you find agents and editors in packs? It's like a literary field safari!

Conference prices can be moderate or mega-exorbitant depending on the conference. So you have to choose what will maximize your benefits (more editors and agents, critique sessions, break-out sessions, first page critiques, etc.) without minimizing your finances. But in the end, it is worth the money. And if you get published, you get to write it off on your taxes! It's a business expense, don't you know. So save those receipts. If you're looking for a conference to go to, I usually try to get recommendations from other writers about where to go. But here's an extensive list to get you started.

http://www.newpages.com/writing-conferences/

And if you end up going to a fabulous conference, post all about it and let us know!